Time marches on, as they are saying.
Welcome to The Queue — your day by day distraction of curated video content material sourced from throughout the online. At this time, we’re watching a video essay that appears on the chronological interaction within the 1966 movie The Battle of Algiers.
Launched in August on the Venice Movie Competition — at which it gained the Golden Lion — The Battle of Algiers is among the best political movies ever made. Largely impressed by Saadi Yacef’s 1962 movie Souvenirs de la Bataille D’Alger, Gillo Pontecorvo’s 1966 movie dramatizes the brutal, dramatic, and infrequently difficult-to-watch key occasions that passed off between 1956 and 1957 inside the broader battle for Algerian independence from French colonial rule. Adopting a documentary format, made all of the extra visceral by taking pictures on-location the place the injuries of French rule have been nonetheless contemporary, the movie particulars quite a few aggressions from each side of the battle: horrifying bombs, inhumane torture, and mass civilian casualties.
It’s, like all the finest struggle movies, firmly anti-war, with a central argument that armed battle is a toxin that harms and mutilates everybody who participates in it, or has the misfortune of being within the warpath. It’s a movie of astonishing relevance, And its confrontational candor has misplaced none of its energy within the intervening years since its launch (what, in spite of everything, may very well be extra confrontational than kids taking pictures troopers at point-blank vary?).
Because the video essay beneath notes, one of many key muscle mass The Battle of Algiers depends on is its fixed sense of time and temporality. There are prologues, flashbacks, and codas: incessant reminders of each historic time, mundanity, acceleration, and literal ticking clocks, set to mild literal fuses. Wordless and frantic, the video essay does a wonderful job conveying not solely the place this theme performs out in Pontecorvo’s movie however the way it feels.
Watch “Occupying Time: The Battle of Algiers”:
Who made this?
This video essay on how temporalities play out in The Battle of Algiers is by OuScholPo, a Denmark-based artistic-academic partnership between Marie Hallager Andersen and Alan O’Leary. This essay is by O’Leary and was revealed in [in]Transition: Journal of Videographic Movie & Shifting Picture Research, 6:3 2019. You possibly can take a look at OuScholPo’s Vimeo account here.
Extra movies like this
- Right here’s Alan O’Leary presenting his book on The Battle of Algiers, which you need to completely take a look at for those who’re a fan of the movie, the above video essay, or each!
- Christopher Nolan is a director famously obsessive about temporalities and storytelling that includes and fixates on time. Right here’s StudioBinder with a video essay on how this dominant motif performs out within the director’s work.
- And eventually, right here’s the all the time eloquent Nerdwriter1 with a extra private have a look at how Soviet director Andrei Tarkovsky’s concept of time turned extra significant within the wake of the COVID-19 pandemic.
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